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Selling a painting’s a night mare!

I’m always looking at ways of selling my paintings. And in a recession, other ways need to be looked at.  That’s why I’ve decided that I need to investigate more about making prints of my work. Because not everyone wants to buy an original picture. Sometimes you just want to buy a picture because you LIKE it, not because you want to invest a large amount in it. Not that my paintings are expensive for the work and expertise that goes into them. The prices are incredibly reasonable. But then I’m trying to cut out the middleman – the one who takes his “cut” out of the selling price. He’s the one who puts the prices up. And the customer ends up paying for it. Having said that, some people believe that they’ve got a BETTER painting if they pay a lot for it. It’s perceived value, for them. I understand that, and would quite happily put a nought, or two, on the end of every price if it would get me more sales.

Mmm….. Perhaps I should DO that………………………. !!! 🙂

But at the moment, I’m concentrating on prints. And double checking the quality of the pictures on my website by putting them through Photoshop to enhance them. It brings out the colours that the original  photography in some cases has flattened and lost.

I’m totally in love with Photoshop at the moment, it is making some real gems out of some of my previous paintings. Take for instance “Nightmares”. Its a painting I did a number of years ago and the original is now hanging on a wall in a far off land, near the Mediteranean, where the sun shines far more than it does in England!

Nightmares is three horses racing each other by moonlight. Hence the title, which I’ve always liked!

The original painting has some nice blues, and purples, greens, and deeper shades of burnt sienna and red in it. I’ve always liked this painting as it was painted using the “pour on paint” technique that I’ve always loved using with watercolour. The horses and the moon were masked with masking fluid, then the paper around them was wetted with clean water, and the watercolours poured on in various places and allowed to weave their own magic by mixing with each other on the paper, their colours staying fresh and vibrant. And just to add to the magic, I flicked some gold metalic paint on it too, to add to the movement of the horses, and to add a gleam of bright colour to the finished painting. The details of the horses bodies and faces was painting on afterwards, adding form and definition.

The movement in the paint adds to the magic air of the finished painting.


But it is with photoshop that all these lovely effects shown here have enhanced the painting and given it a new life altogether! The picture stays the same, but the colours have been brought out, or lessened, accentuating the magentas or cyans, pulling out the highlights or the shadows, tipping the colour balance one way or another. And just to add to the fun aspect, on some of them, I have added more artistic effects to them too. Making the picture look more painterly, subduing the colours, or adding an ink effect to them.

And just in case you’re wondering, which is the original….. Its the last one.

But I think they all stand up as a beautiful painting in their own right.

So, which is your favourite…………..?

I've been an artist all of my life, and my paintings now hang on walls in Europe, USA and Canada. I'm working on getting them on the other continents! My wide range of artwork has been exhibited nearer to home in the East Midlands, with the Guild of Erotic Artists at Beaumont Hall Studios in Hertfordshire, and at "Erotica", Olympia, London. I have also been featured alongside my work in the Guild of Erotic Artists book (volume 2). I love to create dramatic interest in my pictures, whether it’s to paint an unusual landscape, or just to utilise dramatic lighting in my figure drawings or strong colour in my animal portraits. Delighting in the spontaneous tendencies of watercolour adds an interesting and distinctive look to my paintings, some of which are purposefully ambiguous, enabling the viewer to use their own interpretation of my artwork. I also love to hide images, and humour within my paintings, whether it’s a secret message, or an erotic couple hidden within a landscape, or even an erotic landscape where the couple are camouflaged as the features of the land itself. I am equally happy painting in oils, acrylics or watercolours and love to draw with pencil or ink. I have also developed the very effective method of drawing using white pencil on black card which creates dramatic pictures by just picking out where the light catches the body and leaving the rest of the image to the imagination, in darkness. I can also utilise many different styles, whether it is realistic, abstract, surrealistic, erotic, fantasy or camouflage art where something is hidden within the painting. I'm just passionate about my art, whatever I paint! But, it doesn't matter how many landscapes or pet portraits I paint, its always the erotic stuff that people are interested in! I started blogging to share some of the strange conversations I have with the people I meet. But its evolved into far more than that now.

Comments (2)

  1. Spiky Zora Jones
    May 4, 2010

    I like it that you are always learning and jumping into new things.

    I like them all but the one that really caught my eye was the second one of the four. there was something about the style that appealed to me. was awesome.

    how are you sweetie? xxx

  2. Jackie Adshead
    May 5, 2010

    Spiky – Yes, always learning, always looking to improve, discover and explore! 🙂

    The one you like is the ink effect, it's fabulously dramatic with all that black in it and is one of my favourites too! It adds to the mystery of the horses connected with the moon and the sense of power and urgency that's in them.

    I'm fine thanks, busy with various things in my life, and always looking for the next art venture!!

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