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Under the microscope

I’ve noticed recently how many people don’t make eye contact when they pass in the street. I always look at people as they walk towards me, although obviously it depends where I am and whether its likely to encourage trouble if I do it, so I am somewhat circumspect as to my surroundings! Some people look at me, and will smile at my open gaze, but, on the whole, people don’t look at other people. Perhaps we’ve all been conditioned nowadays not to do it, which is a shame. And I’m so used to doing it, as its my job, to look, to observe, to record the details. I find whilst I’m standing quietly somewhere, in a queue or a busy bar, that I people watch and can always find beauty in the tiniest detail – the curl of hair in the nape of the neck, long sweeping dark eyelashes, polished fingernails, the glint of red in a head of dark hair, the startling blueness of a pair of eyes, or the sensual fullness of a bottom lip. And of course there’s the larger details, the freshness of teenage skin, the full hips of a sexy older woman, the tightness of a pair of male buttocks, the gentle curve of a female thigh, the squareness of a mans shoulders, the fullness of perfectly rounded breasts. I was told a few weeks ago by a female friend that she’d always had a big sexual fantasy about being drawn in minute detail, all her innermost details examined and inspected then captured down on paper, and I’ve been told by a man I’ve drawn recently what a turn on it was to be observed in minute detail, in almost a detached scientific way, then to see his naked body created on the paper infront of me, he felt was a very erotic situation. I suppose it must be. I don’t know why I was surprised to hear it, as I spend as much time assessing a subject to draw whatever it is, although admittedly a vase might not have quite the same level of eroticism about it as a semi-naked body. Then afterwards when my model sees the finished drawing, to know how they were feeling when I drew them, how I’ve captured their essence, their sexuality, the eroticness of the situation, they realise how much I’ve seen………..

I've been an artist all of my life, and my paintings now hang on walls in Europe, USA and Canada. I'm working on getting them on the other continents! My wide range of artwork has been exhibited nearer to home in the East Midlands, with the Guild of Erotic Artists at Beaumont Hall Studios in Hertfordshire, and at "Erotica", Olympia, London. I have also been featured alongside my work in the Guild of Erotic Artists book (volume 2). I love to create dramatic interest in my pictures, whether it’s to paint an unusual landscape, or just to utilise dramatic lighting in my figure drawings or strong colour in my animal portraits. Delighting in the spontaneous tendencies of watercolour adds an interesting and distinctive look to my paintings, some of which are purposefully ambiguous, enabling the viewer to use their own interpretation of my artwork. I also love to hide images, and humour within my paintings, whether it’s a secret message, or an erotic couple hidden within a landscape, or even an erotic landscape where the couple are camouflaged as the features of the land itself. I am equally happy painting in oils, acrylics or watercolours and love to draw with pencil or ink. I have also developed the very effective method of drawing using white pencil on black card which creates dramatic pictures by just picking out where the light catches the body and leaving the rest of the image to the imagination, in darkness. I can also utilise many different styles, whether it is realistic, abstract, surrealistic, erotic, fantasy or camouflage art where something is hidden within the painting. I'm just passionate about my art, whatever I paint! But, it doesn't matter how many landscapes or pet portraits I paint, its always the erotic stuff that people are interested in! I started blogging to share some of the strange conversations I have with the people I meet. But its evolved into far more than that now.

Comments (10)

  1. Cherrie
    Jun 8, 2007

    Did you ever think that the reason people don’t look up at you when you pass them in public is that they don’t want to see you, they don’t want to have their complacency challenged, and they are insecure about their own self-worth? It’s easier to live in a cocoon of your own construction than to interact with real people who might challenge your beliefs.

    That said, having a painting done would be the sincerest form of affirmation–all the details the artist finds attractive would be prominently recorded in an appealing and erotic way. I can see how this would be a huge turn-on . . .

  2. Jackie Adshead
    Jun 8, 2007

    Cherrie – No, I hadn’t considered that, but I know I can enhance their own self-worth in an image of them, given the chance….

  3. hornymaleuk
    Jun 8, 2007

    I have noticed that people (mostly women) sometimes smile at me when I am out in the street. Like you, I usually look people in the eye with an open expression.
    I think I read somewhere that if two people hold eye contact for more than a few seconds, the eyes open wider which is the first hint of a smile. I guess some people respond to that hint by smiling back.
    If people feel challenged, then I think that is their problem.

  4. Jackie Adshead
    Jun 8, 2007

    Hornymaleuk – Yes, I think it is their problem. I shall continue to look people in the eye, and smile, and ….sometimes…… it leads on to more interesting things…..

  5. Anonymous
    Jun 10, 2007

    I’ve looked at your web site. It’s got some reasonable drawings but, to be honest, they do seem just a touch high-priced fof the sort of detail and content. Good luck if you can sell them, though. On the other hand, if they are a way to make a ‘certain sort of contact’, and if they are doing that job, then that might be worth a lot to you.

  6. Indigo
    Jun 10, 2007

    I too love to people watch. I always look at folk when I’m out. That first initial smile, maybe they know you, maybe not but it’s fun making people aware that they’re being observed. If they look away then yes I agree with Cherrie may be they feel insecure about themselves, I guess for those of us like me and you Jackie who like to view are lucky in the way that we’re not insecure about our appearence, content in the way we come across. I’m tall and tend to stick out in a crowd, I love to be seen.

  7. Jackie Adshead
    Jun 11, 2007

    Indigo – yes, perhaps its being happy to be seen, that makes us more curious to look!

  8. Jackie Adshead
    Jun 11, 2007

    Anonymous – its a pity you don’t appreciate my artwork, other people seem happy enough with the prices, but of course art is in the eye of the beholder.

    As to making contact, its always nice to meet people interested in art.

  9. HonorAndDesire
    Jun 21, 2007

    Just by coincidence came across this bit of poetry by poet Les Murray

    The ones whose eyes
    do not meet yours
    is alone at heart
    and looks where the dead look
    for an ally in his cause.

    Your smile is a gift and a blessing to those passing by you. I hope you don’t ever stop being friendly. I live in a small seacoast town here in America and many people say hello and good morning but some do not, even in return, and that does often cause a bit of rejection-pain. The sensitivity to others that makes us artists so observant and creative can also be a source of pain.

    from HonorAndDesire
    in America

  10. Jackie Adshead
    Jun 21, 2007

    Honoranddesire – what lovely poetry, thankyou for sending it to me. I hope I don’t ever stop being open and friendly, too!

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