Look and look again and look some more

It’s going to take hours to do this picture. Hours of pencil drawing, hours of pen drawing, hours of watercolour painting, hours of looking at it to get the ambiance right. Hours of studying photos of it before I even start the work I’ve just described. Hours of peering into tight corners, hours of looking at colours, and shapes, hours of studying texture, and hours trying to put it down on paper.
And I’m gonna love every minute of it!
…and that’s exactly what I told Stuart the other day when we finalised what work I would be doing on his painting for him. He wants it “to look interesting to anyone” and to have ambiance and atmosphere in it as well. I explained to him that a photograph only captures a split second in time, but it flattens shapes as it does it. A painting will bring out those shapes, will create more light where it’s needed, and more dark to add depth  and interest to the painting. And this one will be about the most complicated thing I’ve done for an awfully long time. Each drawer in the seed cupboard has to be drawn, each seed word painted on it has to be written out, each plant pot, each shelf, each aspect of the clock and the tools on the wall has to be drawn. And some of the tools have to be moved around as well, just to add to the fun of it! And some of the pieces of gardening equipment have to be removed in the foreground, which will add to the fun again! It’s going to be like drawing knitting, or a dish of cooked spaghetti, this hotch-potch of ancient garden implements.  

And looking at the photo here, you can see how much work has got to go into it, to depict it as a watercolour/drawing in pen and wash.

And I can’t wait to get started!

I've been an artist all of my life, and my paintings now hang on walls in Europe, USA and Canada. I'm working on getting them on the other continents! My wide range of artwork has been exhibited nearer to home in the East Midlands, with the Guild of Erotic Artists at Beaumont Hall Studios in Hertfordshire, and at "Erotica", Olympia, London. I have also been featured alongside my work in the Guild of Erotic Artists book (volume 2). I love to create dramatic interest in my pictures, whether it’s to paint an unusual landscape, or just to utilise dramatic lighting in my figure drawings or strong colour in my animal portraits. Delighting in the spontaneous tendencies of watercolour adds an interesting and distinctive look to my paintings, some of which are purposefully ambiguous, enabling the viewer to use their own interpretation of my artwork. I also love to hide images, and humour within my paintings, whether it’s a secret message, or an erotic couple hidden within a landscape, or even an erotic landscape where the couple are camouflaged as the features of the land itself. I am equally happy painting in oils, acrylics or watercolours and love to draw with pencil or ink. I have also developed the very effective method of drawing using white pencil on black card which creates dramatic pictures by just picking out where the light catches the body and leaving the rest of the image to the imagination, in darkness. I can also utilise many different styles, whether it is realistic, abstract, surrealistic, erotic, fantasy or camouflage art where something is hidden within the painting. I'm just passionate about my art, whatever I paint! But, it doesn't matter how many landscapes or pet portraits I paint, its always the erotic stuff that people are interested in! I started blogging to share some of the strange conversations I have with the people I meet. But its evolved into far more than that now.

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