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Mixing reality with fabulous effect

I watched “The return of the king” last night – the third and last (well it would be wouldn’t it!!!) in the trilogy of “Lord of the Rings”. Its a film I’ve seen before, when it first came out, a few years ago. I saw it at the cinema, and loved it. Seeing it again, after a few years break I was reminded again of the superb effects that were used. New Zealand is a stunning country – I’ve been and seen it, and found it astounding how diverse the geography of the land is – which is why it was perfect as the back-drop for the fantasy fairytale of Lord of the Rings. And as I sat and watched it again last night, albeit on a tv screen this time, I gasped out loud at how stupendous the computer graphic images were. The attention to detail was tremendous. Sometimes the action was so detailed, that I made a point of watching one of the small insignificant creatures in the background, and they behaved with the most perfect detail – so that if you had been watching them solely, on the screen, and all the other myriad of creatures were removed from the picture, you would have been perfectly happy that they were doing what you would expect within that vast landscape. Of course, the minute you add a thousand other creatures all doing the same thing, it made it mind-blowing for the attention for detail.

Except for one scene.

The last scene, actually.

There was a mistake in it. One that to me, as an artist, was obvious. And yet it had been left there, with the screamingly obvious mistake in it. Why would that be?

So, the film has fired me up, to want to create images of such detail that even the tiniest figure within the image is correct. But, its made me wonder how much we disregard  mistakes within artwork, because the rest of the image “works” for us, so we just accept it without question…………….

I've been an artist all of my life, and my paintings now hang on walls in Europe, USA and Canada. I'm working on getting them on the other continents! My wide range of artwork has been exhibited nearer to home in the East Midlands, with the Guild of Erotic Artists at Beaumont Hall Studios in Hertfordshire, and at "Erotica", Olympia, London. I have also been featured alongside my work in the Guild of Erotic Artists book (volume 2). I love to create dramatic interest in my pictures, whether it’s to paint an unusual landscape, or just to utilise dramatic lighting in my figure drawings or strong colour in my animal portraits. Delighting in the spontaneous tendencies of watercolour adds an interesting and distinctive look to my paintings, some of which are purposefully ambiguous, enabling the viewer to use their own interpretation of my artwork. I also love to hide images, and humour within my paintings, whether it’s a secret message, or an erotic couple hidden within a landscape, or even an erotic landscape where the couple are camouflaged as the features of the land itself. I am equally happy painting in oils, acrylics or watercolours and love to draw with pencil or ink. I have also developed the very effective method of drawing using white pencil on black card which creates dramatic pictures by just picking out where the light catches the body and leaving the rest of the image to the imagination, in darkness. I can also utilise many different styles, whether it is realistic, abstract, surrealistic, erotic, fantasy or camouflage art where something is hidden within the painting. I'm just passionate about my art, whatever I paint! But, it doesn't matter how many landscapes or pet portraits I paint, its always the erotic stuff that people are interested in! I started blogging to share some of the strange conversations I have with the people I meet. But its evolved into far more than that now.

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