Once finished and even better than I hoped it would be!

Once finished and even better than I hoped it would be!

When I wrote recently about wanting to paint the erotic woodland scene in “Once” by James Herbert, I had a vague idea of how I wanted the picture I was going to paint, to look. I knew the woman was going to be brunette rather than blonde, I knew I wanted her face to be more womanly than the storyline depicted her to be. And since I was painting the picture for my man, I knew what sort of face he finds attractive. I wanted it to be erotic, but tastefully so.

The notes I had made from the books pages were:

“A hushed world, shaded and cool shafts of sunlight angling through the twilight in long shimmering beams.
He came upon a huge oak tree one easily remembered because of its age and shear scariness, gnarled bark seemed to contain images carvings that were not quite discernible resembling grotesque twisted figures and tortured faces.
Like fireflies from bright silver to violet from white to pale green, iridescent and twinkling, the dancing lights sparkled. Seven of them glimmerings as bright as diamonds and looking as delicate as snowflakes they flittered in and out of the leaves. Their peripheries appeared to take on every hue of the spectrum, they sparkled as they zipped through the air like brilliant insects in spectacular display. Like dragonflies they sometimes hovered blue of tiny pellucid wings.
These delicately beautiful creatures were the darting satellites of a quite ethereal reclining figure whose flesh was so white it might have been purest marble, it was human, it was a girl, her skin unblemished, her curves slightly rounded, her naked breasts small, the most sensual figure he’d ever seen. She lay back between two stout roots of a large oak, the thick gnarled limbs spread like welcoming arms around her, long yellow hair, small face finely pointed chin, high cheekbones, narrow shoulders, a cascade of wild golden locks, her lips parted pink and moist in passion her slender body writhed lanquidly, her body slight, her breasts small but mature and beautifully formed, slight roundness of stomach, hairless place between her thighs, long fingers soothed and fondled, the tiny lights shared her frenzy and ecstacy, a few went to her erect nipples, she was not tall, a fraction less than five feet, unconcealed wantonness, age indeterminate, eyes closed in rapture.”

I knew the picture would be about 30 x 22 inches and I had decided to do it in acrylics as I can get all the fine detail better that way and build up the details as I needed to. I love painting fantasy pictures, I love painting erotic women, I love painting woodlands, so putting it al together will be something I was very much looking forward to doing..

I had drawn it out as a small image to check the shapes work well for the painting, and then painted the first couple of layers of the proper painting to get the hazy pinky blue background colours in and when that was done, I concentrated on the gnarled old grotesque oak tree, painting it, then looking for the parts of the tree that lent itself to hiding faces in it – some large and obvious, and some small and hidden.

When I was happy with that, then I painted the erotic young woman until she looked like I wanted her to. When she was complete then I worked out how many of the tiny fairies I wanted, that are sharing her rapturous moments. I decided on nine at the end, a nice odd number always adds more interest than an even one, and as I placed them around her, I added tiny spectrum colours within the white of their bodies, and added small movements within their wing area to give the impression of movement as they hovered around her. It was actually quite difficult to get their tiny bodies with some detail but not too much. I love the one that is tickling her nipple with its tiny foot!! I also added as a bit of fun, a faint white streak coming from the tree on the left of the picture, as a reminder of another fairy hastily on its way to join the fun!!

I know that I have painted 23 grotesque faces within the old oak tree but I also know that people often see more faces hidden within my paintings than I plan – it adds to the magic and mystery I think! But as well as the 23 hidden faces there is another one, hidden as the tree itself if you look closely..

And as well as that, there is a hidden fanny, somewhere in the picture…….

I am delighted with the picture, it is everything and more than I hoped it would be, tastefully erotic, with lots of hidden aspects that add so much more magic to the picture!!

I've been an artist all of my life, and my paintings now hang on walls in Europe, USA and Canada. I'm working on getting them on the other continents! My wide range of artwork has been exhibited nearer to home in the East Midlands, with the Guild of Erotic Artists at Beaumont Hall Studios in Hertfordshire, and at "Erotica", Olympia, London. I have also been featured alongside my work in the Guild of Erotic Artists book (volume 2). I love to create dramatic interest in my pictures, whether it’s to paint an unusual landscape, or just to utilise dramatic lighting in my figure drawings or strong colour in my animal portraits. Delighting in the spontaneous tendencies of watercolour adds an interesting and distinctive look to my paintings, some of which are purposefully ambiguous, enabling the viewer to use their own interpretation of my artwork. I also love to hide images, and humour within my paintings, whether it’s a secret message, or an erotic couple hidden within a landscape, or even an erotic landscape where the couple are camouflaged as the features of the land itself. I am equally happy painting in oils, acrylics or watercolours and love to draw with pencil or ink. I have also developed the very effective method of drawing using white pencil on black card which creates dramatic pictures by just picking out where the light catches the body and leaving the rest of the image to the imagination, in darkness. I can also utilise many different styles, whether it is realistic, abstract, surrealistic, erotic, fantasy or camouflage art where something is hidden within the painting. I'm just passionate about my art, whatever I paint! But, it doesn't matter how many landscapes or pet portraits I paint, its always the erotic stuff that people are interested in! I started blogging to share some of the strange conversations I have with the people I meet. But its evolved into far more than that now.