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Dust yourself off and start all over again

Dust yourself off and start all over again

If selling a painting is the best feeling in the world, for an artist, what would you think is the feeling when you don’t sell a painting? Conversely, it must be amongst the worst? It can be, some artists take it personally, and fall into depressions. I trrrrry to be a lot more philosophical than that.  But that doesn’t stop me feeling an amount of negativity – disappointment, and certainly a degree of anger.

But perhaps that feeling of anger is the one that fuels the resolve to DO something positive about it.

Now, I’ve had enough experience over my life time of selling art, and know that there will be times when the art doesn’t sell. Which is why I much prefer painting commissions because then I know exactly what the client wants, and paint it accordingly for them. And I also feel that exhibitions are always*best guess* for artists – “I felt like painting a flower so I did, but I don’t know what the customers are looking for – do they like flowers as well, or would they prefer a boat, or a tree, or a person, or a kitten? or perhaps they’d rather see a red rose when I painted a pink daisy, or perhaps they’d rather it was in watercolours instead of oils, or more abstract instead of totally representational?” – that is how I view exhibition work. But I also know you have to start somewhere, and at least its an advert for people so they know what sort of art you do, and maybe it’ll lead on to some sales.

BUT, when you’ve been part of an exhibition where the sales are a lot less overall than you were expecting, you can put part of it down to a) the recession b) lack of footfall c) they’d all got something better to do than come to an art exhibition on a cold and dank drippingly wet bank holiday weekend in deepest Leicestershire, d) not enough advertising e) not enough advertising in the right place f) there was an FA Cup final but then how many football fans would have come to an art exhibition anyway? g) there were other art exhibitions on in the locale and maybe they went to those instead h) there was a large craft fair on a few miles away and maybe they all went there and spent all their spare cash i) they couldn’t be bothered to leave the house and stayed slumped infront of the tv with large bowls of popcorn cos the weather was dire j) aliens abducted them over the weekend and only returned them to this planet five minutes after our exhibition finished k) they had all gone to Wales for a gale force sailing weekend l) they had all flown to Spain for some hot spring beach sunshine m) there was an invisible force around the venue and although loads of people wanted to get to it they couldn’t get through the force n) they all had food poisoning o) they had to go and visit Granny in Northumberland instead p) they had to peel mountains of green grapes for a dinner party that evening q) they had to go for extended piano lessons r) they were decorating the spare bedroom ceiling s) the cat needed worming and had to be coaxed down from the top of the wardrobe  t) they had to sit and sew two thousand and seven sequins onto a party dress for that nights party u) a huge flock of militant sheep had escaped and all the roads to the village were blocked v) they were re-tiling the bathroom with mirror tiles w) there was a leak and the lounge was full of spurting water from a faulty radiator valve x) y) and z) and I could keep going on……..

But none of that deals with the problem.

Or solves it.

Because, its what happens next that matters.

And learning from it.

Plus a positive outlook, the experience of knowing that this is the way it is for artists, trying different things in other places, and knowing that somewhere, out there is someone who loves my artwork and desperately wants to hang it on their walls except they don’t know I exist yet, and that I have an exhibition of my own within this next month and I will try again there and have confidence and belief that things will be better then.

 Cos that’s the way it is!

I've been an artist all of my life, and my paintings now hang on walls in Europe, USA and Canada. I'm working on getting them on the other continents! My wide range of artwork has been exhibited nearer to home in the East Midlands, with the Guild of Erotic Artists at Beaumont Hall Studios in Hertfordshire, and at "Erotica", Olympia, London. I have also been featured alongside my work in the Guild of Erotic Artists book (volume 2). I love to create dramatic interest in my pictures, whether it’s to paint an unusual landscape, or just to utilise dramatic lighting in my figure drawings or strong colour in my animal portraits. Delighting in the spontaneous tendencies of watercolour adds an interesting and distinctive look to my paintings, some of which are purposefully ambiguous, enabling the viewer to use their own interpretation of my artwork. I also love to hide images, and humour within my paintings, whether it’s a secret message, or an erotic couple hidden within a landscape, or even an erotic landscape where the couple are camouflaged as the features of the land itself. I am equally happy painting in oils, acrylics or watercolours and love to draw with pencil or ink. I have also developed the very effective method of drawing using white pencil on black card which creates dramatic pictures by just picking out where the light catches the body and leaving the rest of the image to the imagination, in darkness. I can also utilise many different styles, whether it is realistic, abstract, surrealistic, erotic, fantasy or camouflage art where something is hidden within the painting. I'm just passionate about my art, whatever I paint! But, it doesn't matter how many landscapes or pet portraits I paint, its always the erotic stuff that people are interested in! I started blogging to share some of the strange conversations I have with the people I meet. But its evolved into far more than that now.

Comments (4)

  1. Hardin Reddy
    May 8, 2012

    Of course there is someone who will be captivated by any of your works . . . in a world of seven billion people there has to be! You’ve reached a lot of prospective collectors through your tireless efforts, but there are so many more potential buyers out there (who haven’t been abducted by aliens).

    And that is a fascinating painting . . . why would those people whose faces are in the clouds build (or live in) such a whimsical, impractical structure?

    • May 9, 2012

      Hardin – thankyou! I know you’re a big fan of my work and appreciate all the time and effort I put into it. There will be others who will like it equally, but I have to find the right sort of venues to exhibit it at to find these people once the aliens have returned them! 🙂

      The painting of the “impractical structure” is called “Castle in the air” and although the painting is now proudly hanging on someone else’s wall, I used it in this blog post to illustrate that it ‘s not just a fantasical fairy tale to sell artwork as an artist!

  2. Jun 21, 2012

    Thanks for this! Thanks for spreading words and images about Art

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